Prólogo

by António Quintino

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Urso Bipolar 11:04
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Prólogo 09:31
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about

"Prólogo" (Prologue) is, as its name indicates, the introduction to a story. This introduction, however, already contains a narrative, abandoning the simple nature of "preview note" and representing the beginning of a story that will continue and that aspires to be great. It is through this perspective, this early expectation, that one can hear this debut album of Antonio Quintino. An introduction to his music, that already contains elements that define him as a bassist as well as a composer.
In 2011, influenced by the likes of Dave Holland, Kenny Wheeler, André Fernandes and others, Quintino began to write some of the tunes that make up this album, during his passage by the National Superior Conservatory of Paris, bringing most of this repertoire to Lisbon. Then, he joined in musicians with whom he had been working frequently - André Santos and Joel Silva, adding Gianni Gagliardi, a saxophonist met in Paris and with whom he immediately identified. They worked on his music together, in embryo, which evolved and took the shape that one can hear in "Prólogo".
So, "Prólogo" is a short story within a large, important history for being the first and leaving contextualized everything that is to come.

credits

released July 16, 2014

Gianni Gagliardi - tenor saxophone;
André Santos - guitar;
Joel Silva - drums;
António Quintino - bass and compositions.

Recorded at Lyceu Camões auditorium on August 26 and 27 2014 by Luís Candeias
Mixed and mastered by Luís Candeias
Cover drawing and design by Camila Reis
Produced by António Quintino

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about

António Quintino Lisbon, Portugal

www.antonioquintino.com

Born in 1988, António Quintino started playing electric bass in 2004 and acoustic in 2005. After attending JBJazz, ESML (Lisbon) and CNSMDP (Paris), he got in the Portuguese music scene, where he has very diverse projects, like Afonso Pais & Rita Maria, Janita Salomé, Amélia Muge, Mano a Mano, Hot Clube Jazz Orchestra, Ana Cláudia, Joana Amendoeira, among others. ... more

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